Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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RUBENS, Pieter Pauwel
Virgin in Adoration before the Christ Child f

ID: 08978

RUBENS, Pieter Pauwel Virgin in Adoration before the Christ Child f
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RUBENS, Pieter Pauwel Virgin in Adoration before the Christ Child f


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RUBENS, Pieter Pauwel

Flemish Baroque Era Painter, 1577-1640  Related Paintings of RUBENS, Pieter Pauwel :. | Diana and her Nymphs Surprised by the Fauns | Venus in Fur-Coat | Self-portrait | The Crucified Christ af | The Adoration of the Magi |
Related Artists:
Lucien Pissarro
French Camden Town Group Painter, 1863-1944 was a French painter, printmaker and wood engraver. Eldest son of the Impressionist painter Camille Pissarro, he was born in Paris and studied with his father. His works employ techniques of Impressionism and its successor, Neo-impressionism, but he also exhibited with Les XX. From 1890 he lived in London, becoming a British citizen in 1916. While in England he was one of the founders of the Camden Town Group of artists. In 1919, he formed the Monarro Group with J.B. Manson as the London Secretary and Theo van Rysselberghe as the Paris secretary, aiming to show artists inspired by Impressionist painters, Claude Monet and Camille Pissarro.
Joan de Joanes
Spanish Painter 1507-1579
Sir Thomas Lawrence
1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.






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